Jin'an Poetry School and the Reception of Yuan Poetry in the Late Ming and the Early Qing Dynasties
- 2014年 
【中文摘要】明代诗学的主流是宗唐，直到万历年间公安派提倡宋、元诗，才突破前人的藩篱。但公安派只是首开风气，并未真正付诸实践。与之相反，以谢肇淛、徐勃、曹学佺为核心的晋安诗派， 虽然在理论上坚守了宗唐的诗学传统，但在具体的诗学活动中则非常关注元诗。徐勃红雨楼收藏有元人别集68种，在藏书史上留有佳话；谢肇淛《小草斋诗话》对元诗的批评，多能发前人之所未 发；曹学佺《石仓元诗选》选诗4224首，是元、明时期规模最大的元诗总集。他们不仅在本地营造了阅读、批评、传播元诗的氛围，而且积极与主流诗坛进行交流和对话，共同影响了明末清初的诗学走向。 【Abstract】 The mainstream of poetics in the Ming Dynasty was following the Tang Poetry，until the Wanli Period when Gong-an School advocated the Song and Yuan Poetry. However，Gong-an School just made it as their slogan without action. Comparatively，another poetry school，Jin'an Poetry School，grouped by Xu Bo，Xie Zhaozhe，and Cao Xuequan etc，realized the slogan although they had followed the current of learning from the Tang Poetry. Xu Bo collected many poetry anthologies in his private library Hongyu Lou， including 68 works composed by poets lived in the Yuan Dynasty. Xie Zhaozhe's creative viewpoint about the Yuan Poetry was unprecedented. Cao Xuequan had edited massive poetry anthology of 4224 verses of the Yuan Dynasty. The group of Jin'an Poetry School not only influenced local community，but also had conversation with other poetry schools，like Gong-an，and pushed forward the development of poetics in the period.