大革命时期的女性形象与文学创作

Abstract

【中文摘要】大革命期间(1924—1927)改组后的国民党成立了中央妇女部，首开妇女解放运动与政党政治之合流，从而有思想有组织地从国族主义与政党利益出发对女性进行主体建构。而这一 建构并非是单一与固定的，而是多元与变化的。它一方面影响了文学作品中的女性形象，一方面又作用于一些女作家的自我建构，并体现在她们的文学创作甚至是政治立场抉择上。从政策制定和舆论导向两方面入手，可以发现大革命时期国民党妇女政策建构出两种并立的女性主体，它直接影响了女性形象的不同塑造，并使其在后来产生“向左转”的现象。 【Abstract】During the National Revolution ( 1924 -1927)，the reshuffled KMT set up women’s department. It is the first time that women‘s lib collaborated with party politics in China from the perspective of nationalism and party interest to conscious and systematical construction of woman’ subjectivity. This construction was not unitary and stable，but multivariable and transitional. On one hand， it affected the female images in literature. On the other hand， it acted on some authoress’ self-construction， and embodied in their creative writing， even their choice of political stand. This paper will start with policy-making and public opinion， to discuss female image and literary creation under the influence of KMT women’s policy during the National Revolution.