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dc.contributor.author刘景福
dc.contributor.authorLIU Jing-fu
dc.contributor.author黄鸣奋
dc.contributor.authorHUANG Ming-fen
dc.date.accessioned2015-12-07T07:11:32Z
dc.date.available2015-12-07T07:11:32Z
dc.date.issued2013-04
dc.identifier.citation厦门大学学报(哲学社会科学版), 2013, 216 (2):116-122zh_CN
dc.identifier.issn0438-0460
dc.identifier.urihttps://dspace.xmu.edu.cn/handle/2288/94106
dc.description刘景福,厦门大学人文学院博士研究生; 黄鸣奋,厦门大学人文学院教授、博士生导师。zh_CN
dc.description.abstract【中文摘要】新媒体技术支持下的电影屏幕朝两极发展,一是如IMAX这样能给人以视听震撼的巨型银幕,另一是如智能手机这般小巧灵活的微型视窗。就后者而言,影像由以往影院中高大的坚立状变成掌上媒体的微小平躺状。新媒体所导致的影像平躺,指的不仅是外观视觉效果,同时也是电影可操控、去层级化等深刻内涵的隐喻。记录载体的丰富、观影媒介的拓展、技术水平的提 升,促使影像“躺”下来了;碎片化、块茎状、个性化、交互性,致使影像“躺”得与经典时代不一样;艺 术灵光的消逝、社交功能的凸显、人际关系的变化、万众拼贴的狂欢,使得“躺”下来的影像具备新的美学意义。 【Abstract】With the development of new media technology, the screen of film develops toward two poles. One is big like IMAX, and the other is small as cell-phone. In terms of the latter, image changes from the upright form to the lying, which is not only the superficial visual effects, but also has profound connotation of being flat, anti-hierarchical and manipulated. What makes the image lying down are the richness of recording carrier, expansion of viewing media and promotion of technology. Differing from the classic movies, fragmentation, tuberosity, personalization, interactivity are the characteristics of the lying image. It has a new aesthetic meaning because of the disappearance of aura, prominent function of social interactional revelry of people's collage and the changing of interpersonal relationship etc.zh_CN
dc.description.sponsorship国家社会科学基金重点项目“西方数码艺术理论六十年”(09AA001)zh_CN
dc.language.isozhzh_CN
dc.publisher厦门大学学报(哲学社会科学版)编辑部zh_CN
dc.subject平躺的影像zh_CN
dc.subjectlying imagezh_CN
dc.subject新媒体zh_CN
dc.subjectnew mediazh_CN
dc.subject电影zh_CN
dc.subjectmoviezh_CN
dc.title平躺的影像:新媒体语境中的电影艺术zh_CN
dc.title.alternativeLying Image:the Art of Film in the Context of New Mediazh_CN
dc.typeArticlezh_CN


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