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现代人的自画像试评《J·阿尔弗雷德·普鲁弗洛克的情歌》

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现代人的自画像试评_J_阿尔弗雷德_普鲁弗洛克的情歌_.pdf (259.2Kb)
Date
2000
Author
张礼龙
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  • 外文学院-已发表论文 [1372]
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Abstract
论文根据《J·阿尔弗雷德·普鲁弗洛克的情歌》的内容 ,指出这是一首具有强烈现代色调的戏剧独白诗。诗人以独特的形式写下了这首既含有故事情节 ,又反映了代言人普鲁弗洛克性格的诗歌。这首诗歌描述了一个胆怯的中年男子的意识 ,向读者展示了具有典型意义的现代人的三个世界 :半明半暗、没有意义、被乙醇麻醉处于梦幻、介于地狱与人间的庸俗无聊的外部世界 ;分裂而又孤独、浪漫又疑虑、优柔寡断的内心世界 ;以及感官的欲望和文明的约束相互交织的被动窝囊的幻想世界。这种人既感到对现实的不满 ,带着欲望 ,憧憬着未来 ,但又无法摆脱约束 ,不敢去追求一幅更为广阔、更为丰富、更有朝气的生活。从实质上看 ,这首诗歌向读者展示了一幅丧失信念、胆怯、空虚、疑虑重重的现代人自画像。 【英文摘要】This paper presents a detailed analysis on the poem “The Love Song of J. Alfred Prufrock” by T. S. Eliot. It points out that the poem is a dramatic monologue of strong modernist tone. This poem shows the character of the speaker most clearly with its plot. It describes the consciousness of a timid middle-aged man and displays the three worlds typical of a modern mans existence: the vulgar and idle external world at dusk that is meaningless and etherized at the entrance to the hell; the inner world that is split, lonely, romantic, doubtful,and hesitant; and the imaginary world that is passive and cowardly and mixed with sensual desire and restriction of social rules. This kind of person is dissatisfied with the reality, esirous of a glorious future,but dare not pursue a broader, richer, and more vigorous life due to his own mental restrictions. In essence, the poem is the self - portrayal of a modern man that has lost his faith and belief, and is cowardly and full of doubts.
Citation
外国语言文学,2000(4):55-59
URI
https://dspace.xmu.edu.cn/handle/2288/7233

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