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dc.contributor.advisor薛小明
dc.contributor.author胡皓
dc.date.accessioned2016-02-14T08:27:52Z
dc.date.available2016-02-14T08:27:52Z
dc.date.issued2009-11-05 10:43:33.0
dc.identifier.urihttps://dspace.xmu.edu.cn/handle/2288/52734
dc.description.abstract舒伯特的钢琴小品被称之为“浪漫主义气息的开始”,他的钢琴作品是钢琴专业学习的重要文献之一。在舒伯特的晚期钢琴作品中,《三首遗作即兴曲》(D.946)却不常受到人们的关注,也较少被演奏。本文分别从这部作品的体裁来源、创作背景、结构、演奏提示等方面进行具体分析、论述,以更好的理解和演奏这部作品,并吸引更多的人对其进行研究。本文主要通过文献研究来进行音乐本体分析。论文主体分为五章。第一章,介绍即兴曲这一体裁的由来及发展情况;第二章,介绍舒伯特《三首遗作即兴曲》(D.946)的创作背景;第三章,分析舒伯特《三首遗作即兴曲》(D.946)的结构;第四章,结合个人的演奏体会对舒伯特《三首遗作即兴曲》(D....
dc.description.abstractSchubert's piano sketch is described as ‘the beginning of romanticism’ and is also one of the significant literature for professional piano study. But the final‘ Three Posthumous Impromptus’(D.946) have not often received attention ,or widely been performed .This thesis aims at summarising the past year’s research and study, respectively from its aspects of literature style , composing backgr...
dc.language.isozh_CN
dc.relation.urihttps://catalog.xmu.edu.cn/opac/openlink.php?strText=21956&doctype=ALL&strSearchType=callno
dc.source.urihttps://etd.xmu.edu.cn/detail.asp?serial=23068
dc.subject舒伯特
dc.subject即兴曲
dc.subject分析
dc.subjectSchubert
dc.subjectimpromptu
dc.subjectanalysis
dc.title舒伯特《三首遗作即兴曲》(D.946)研究
dc.title.alternativeA study on Schubert's 3 Impromptus(D.946)
dc.typethesis
dc.date.replied2009-05-26
dc.description.note学位:文学硕士
dc.description.note院系专业:艺术教育学院音乐系_音乐学
dc.description.note学号:18720061151703


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