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dc.contributor.advisor薛小明
dc.contributor.author章颜
dc.date.accessioned2016-02-14T08:27:57Z
dc.date.available2016-02-14T08:27:57Z
dc.date.issued2010-12-17 16:02:11.0
dc.identifier.urihttps://dspace.xmu.edu.cn/handle/2288/52726
dc.description.abstract本文以即兴曲的起源和形态特征为研究切入点,针对弗朗茨·舒伯特(Franz Schubert,1797~1828)的即兴曲创作背景进行论述,并着重对舒伯特三首最著 名的即兴曲Op.90,No.2、Op.90,No.4和Op.142,No.3进行音乐分析和演奏分析, 探究其内在旋律特征。在分析、研究舒伯特的三首即兴曲中,梳理了其创作规律, 阐述舒伯特个人创作风格和音乐内涵,对浪漫主义时期的音乐特征较全面的理解 和把握,为更好地学习、演奏打下良好的基础。本文同时也对作曲家的成就作出 更加完整、系统的评价。
dc.description.abstractIn this thesis, the origin of impromptu and its morphological characteristics were studied firstly, following by creation background description of Franz Schubert’s(1797-1828)impromptus. Then, Schubert’s three most famous impromptus(Op.90,No.2 、Op.90,No.4 and Op.142,No.3) were analyzed from music and performance and studied on melody features in particular. Through analysis and study of Schuber...
dc.language.isozh_CN
dc.relation.urihttps://catalog.xmu.edu.cn/opac/openlink.php?strText=25777&doctype=ALL&strSearchType=callno
dc.source.urihttps://etd.xmu.edu.cn/detail.asp?serial=25056
dc.subject舒伯特
dc.subject即兴曲
dc.subject诠释
dc.subjectSchubert
dc.subjectImpromptu
dc.subjectInterpretation
dc.title论舒伯特的三首钢琴即兴曲 —Op.90,No.2、Op.90,No.4 和Op.142,No.3
dc.title.alternativeInterpretation of Schubert’s three impromptus —Op.90,No.2、Op.90,No.4 and Op.142,No.3
dc.typethesis
dc.date.replied2009-11-24
dc.description.note学位:文学硕士
dc.description.note院系专业:艺术教育学院音乐系_音乐学
dc.description.note学号:18720061151722


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