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dc.contributor.author贺昌盛
dc.contributor.authorHe Chang-sheng
dc.contributor.author吴晓玲
dc.date.accessioned2018-12-29T02:20:50Z
dc.date.available2018-12-29T02:20:50Z
dc.date.issued2018-12
dc.identifier.citation厦门大学学报(哲学社会科学版),2018,250(6):157-164zh_CN
dc.identifier.issn0438-0460
dc.identifier.urihttps://dspace.xmu.edu.cn/handle/2288/171076
dc.description贺昌盛,厦门大学中文系教授、博士生导师,文学博士;吴晓玲,厦门大学中文系博士研究生。zh_CN
dc.description.abstract【中文摘要】集中出现于20世纪五六十年代的法国“新小说”并不是一次单纯的技巧实验,而是小说自身的一种本质性的艺术革新。作为记录和呈现“现代”世界的“形式”,小说以其“人物-情节-环境”对应着“现代”世界的“主体-历史-境遇”,由此形成了小说的“典范”结构。但是,当“现代”世界日渐进入“异化/物化”的状态时,“主体-历史”开始遭遇全面的质疑,“新小说”对于“人物-情节”的抛弃及其对“物”的形态的刻意突显,即是对日趋“异化/物化”的“现代”世界之真实情状的“如实”呈现。“新小说”对世界之本然样态的描摹,既使“语言”摆脱了“主体”的操控而重新获得了直呈“现象”的功能,同时也使读者在语言载体的引导之下参与了对世界及自身“意义”的重新寻找与建构,“小说”与“世界”因此获得了双重的“意义”还原。 【Abstract】Nouveau Roman,which came to prominence in France during the 1950s and 60s,is not a simple technical experiment but a fundamental artistic innovation within the novel itself. As the form of documenting and presenting the modern world,tie novel corresponds to the “subject-history-circumstance” of the modern world with its “character-plot-environment” ,thus forming the “model” structure of the novel. However,as the modern world is moving into an alienation/ materialized state,“subject-history” begins to be questioned roundly. Abandoning the “character-plot” and intentionally highlighting the form of “things” is the faithful representation of the real situation in an increasingly alienated/materialized modern world. By simulating the natural shape of the world,Nouveau Roman re-enables language to show a phenomenon directly after liberating it from subjects manipulation,engages readers in re-searching and constructing the meaning of the world and their own under the guidance of the language carrier,thus endowing “novel” and “world” with a double restoration in meaning.zh_CN
dc.language.isozhzh_CN
dc.publisher厦门大学学报(哲学社会科学版)编辑部zh_CN
dc.subject新小说zh_CN
dc.subjectNouveau Romanzh_CN
dc.subject典范zh_CN
dc.subjectmodelzh_CN
dc.subject人物 - 情节zh_CN
dc.subjectcharacter - plotzh_CN
dc.subject主体 - 历史zh_CN
dc.subjectsubject - historyzh_CN
dc.title“新小说”的书写策略及其深层意味zh_CN
dc.title.alternativeOn the Writing Strategy of “Nouveau Roman”and Deep Meaning Thereofzh_CN
dc.typeJournal Paperzh_CN


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