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dc.contributor.advisor王晓红
dc.contributor.author杨欣凌
dc.date.accessioned2018-12-05T01:33:55Z
dc.date.available2018-12-05T01:33:55Z
dc.date.issued2017-11-28
dc.identifier.urihttps://dspace.xmu.edu.cn/handle/2288/169536
dc.description.abstract现代戏剧发展的重要特征之一,是“内向化”趋势。与传统写实主义戏剧强调戏剧情节真实性不同,英国当代著名戏剧家哈罗德•品特的戏剧更关注日常生活潜伏的冲突和人物真实的内心体验,以体验的真实为真实,重点关注人物深层的内心,创作出独特的“内向化”戏剧。本文所言之品特戏剧的“内向化”包含两方面内容,一是指品特以真实体验为基础的内向化戏剧观,二是指以内向化戏剧观为基础的戏剧创作。 本文以品特戏剧的“内向化”为研究对象,旨在通过理论归纳、比较分析与文本分析,研究分析其内向化的戏剧观与内向化的剧作表现,探讨明确其“内向化”独特的审美价值和深刻的社会价值。 本文分为四章,第一章梳理品特的成长经历与...
dc.description.abstractOne of the important characteristics of the development of the modern play is the tendency of “inward”. Different from traditional realism play which emphasizes on the realness of plot, Harold Pinter, the famous contemporary British playwright, paid more attention to the conflicts hidden in the daily life and characters’ real inner experience. He took the reality of experience as true, focused on ...
dc.language.isozh_CN
dc.relation.urihttps://catalog.xmu.edu.cn/opac/openlink.php?strText=57767&doctype=ALL&strSearchType=callno
dc.source.urihttps://etd.xmu.edu.cn/detail.asp?serial=62090
dc.subject哈罗德&#8226
dc.subject品特
dc.subject戏剧观
dc.subject内向化
dc.subjectHarold Pinter
dc.subjectView of Play
dc.subjectInward
dc.title论品特戏剧的“内向化”
dc.title.alternativeStudy on the Inward of Pinter’s Playwrights
dc.typethesis
dc.date.replied2017-05-15
dc.description.note学位:艺术学硕士
dc.description.note院系专业:人文学院_戏剧与影视学
dc.description.note学号:10220141152393


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