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dc.contributor.author张文杰
dc.date.accessioned2018-11-26T08:09:01Z
dc.date.available2018-11-26T08:09:01Z
dc.date.issued2017
dc.identifier.citation镇江高专学报,2017,(3)
dc.identifier.issn1008-8148
dc.identifier.other10.3969/j.issn.1008-8148.2017.03.008
dc.identifier.urihttps://dspace.xmu.edu.cn/handle/2288/164631
dc.description.abstract20世纪不断涌现的先锋艺术给艺术定义提出难题,形成了西方美学界文艺理论界旷日持久的争论,系统考察有关艺术定义的理论有其必要性。比较研究韦兹的“家族相似”理论、丹托的“艺术界”理论、迪基的体制理论,分析优缺点,在此基础上我们尝试用目的论的方法来探讨艺术定义问题。
dc.description.abstractEmerging vanguard art in the 20th century has caused a difficult problem for the art definition, forming a protracted debate in the western aesthetic and literary theorists. Therefore, it is very necessary and urgent for the Chinese academics to systematically examine these theories. We make a comparative study of the new Wittgensteinism, Danto's "art world" theory, Dickie's institutional theory, and analyze its advantages and disadvantages. Based on these, we try erploring art definition by using a teleological approach.
dc.language.isozh_CN
dc.subject本质主义
dc.subject艺术界
dc.subject程序性
dc.subject审美目的
dc.subjectartistic object
dc.title试析当代文艺理论界对于艺术定义的争论
dc.title.alternativeA brief analysis of the debate on the art def'mition in contemporary aesthetic world
dc.typeArticle


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