意象、意境与意味

Abstract

长期以来学术界对于意象和意境的概念未做明确的区分,随意使用,给我们的学术研究工作造成了不小的障碍。本文试图从历史流变的角度对意象、意境的概念做一个比较深入的辨析,并且把意境说和西方美学中的意味说做一个比较,揭示二者的相通与不同之处。

For a long time, the academic circles often do not make a clear distinction between the conceptional image and the artistic mood and use the two words randomly, thus adding much trouble to our academic research. This paper attempts to make an in-depth analysis of the conceptional image and the artistic mood from the perspective of historical change, and this paper will also make a contrast between the theory of artistic mood and that of significance in western aesthetics to reveal the similarities and differences between them.