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dc.contributor.author林清华
dc.date.accessioned2018-11-26T08:08:46Z
dc.date.available2018-11-26T08:08:46Z
dc.date.issued2016-02-15
dc.identifier.citation戏剧艺术,2016,(01):81-87
dc.identifier.issn0257-943X
dc.identifier.otherXJYX201601010
dc.identifier.urihttps://dspace.xmu.edu.cn/handle/2288/164493
dc.description.abstract焦虑是艺术的原生动力之一。对于姚一苇的戏剧创作而言,焦虑是他表达人类世界的主要方式。姚一苇的焦虑包括两个方面的主题:人的困境与戏的困境,而其表达方式却呈现出一种"不和谐"的悖论。姚一苇上个世纪的焦虑在当下并没有获得缓解,而是加深了,它对当代中国戏剧现状仍然具有强烈的现实意义。
dc.description.abstractAnxiety is one of the primal motives of art. In Yao Yiwei's drama, anxiety is the dominant method for expressing the human world. His anxiety contains two aspects: the dilemma of man and the dilemma of drama. This expression features an unharmonious paradox. Yao's anxiety in the last century has become even more intense rather than being relieved and is still a matter of realistic significance to contemporary Chinese drama.
dc.language.isozh_CN
dc.subject姚一苇
dc.subject焦虑
dc.subject现实意义
dc.subjectYao Yiwei
dc.subjectanxiety
dc.subjectrealistic significance
dc.title姚一苇的焦虑
dc.title.alternativeThe Anxiety of Yao Yiwei
dc.typeArticle


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