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dc.contributor.author张燕来
dc.date.accessioned2018-11-26T07:33:02Z
dc.date.available2018-11-26T07:33:02Z
dc.date.issued2016-07-05
dc.identifier.citation城市建筑,2016,(19):118-121
dc.identifier.issn1673-0232
dc.identifier.otherJZCS201619018
dc.identifier.urihttps://dspace.xmu.edu.cn/handle/2288/163069
dc.description.abstract勒·柯布西耶作为一个决然的现代主义者,他的城市与建筑的设计理念不仅表现在大量设计作品之中,也呈现在他的视觉与影像探索之中。本文在回顾和追溯柯布西耶影像生涯的基础上,分析了他的影像观念及其变迁,并着重探讨了他在城市规划与建筑设计创作中广泛采用的影像加工手段。
dc.description.abstractAs a determined modernist, Le Corbusier's philosophy of urban and architectural design is not only manifested in his design works, but also presented in his pictorial and visual exploration. This paper reviewes Le Corbusier's life as a visual artist and then analyzes shifts and chances in his persecutions of visual arts though his career. Based on such analysis, this paper gives special focuses on a discussion of Le Corbusier's visual art techniques which are widely adopted in his urban architectural designs.
dc.language.isozh_CN
dc.subject影像生涯
dc.subject影像观念
dc.subject影像加工
dc.subjectVisual art career
dc.subjectVisual art perception
dc.subjectVisual processing
dc.title隐匿的苦力(下):影·像·城——勒·柯布西耶的影像世界
dc.title.alternativeHIDDEN TOIL(Ⅱ) PHOTOGRAPHY, IMAGE AND CITY:THE VISUAL WORLD OF LE CORBUSIER
dc.typeArticle


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