From Narration to Perception: the Evolution of Zhan Che ’s Poetry Arts
- 台研院－已发表论文 
詹澈前期多写叙事性长诗,以台湾本省籍农民、外省籍老兵、原住民为主要刻画对象,呈现一幅各族群民众融洽互爱、共生共存的图景。其于叙事中包含较多抒情成分的“叙情”表达方式具有深厚的中国传统诗学渊源。近期创作则更多转向“感悟”,而“感悟”也正是中国诗学区别于西方的“分析”的最具独创意义的艺术手段。诗人以台湾东海岸奇特的草木鸟兽和山岩海礁为重要描写对象,通过移植生命于物象和时空伸缩,追溯亿万年前的悠渺时代或海升陆沉、板块碰撞等巨大空间运动,表达对大至宇宙天地,小至庶民生活的诸多问题的关注和感悟,特别是对原住民文化和生命情态有着深切感受和把握。詹澈诗作堪称中国新诗发展富有个性的作品。Zhan Che has written many long narrative poems before,taking native farmers of Taiwan, the provincial veterans, indigenous people as the main target figures, showing a picture of the ethnic populations and harmonious love, symbiotic coexistence scenery. Its more lyrical elements contained in the narrative of "Syrian intelligence" expression have profound traditional Chinese poetics origin. And now he has switched to "perception "recently,also "perception" is the most original meaning of the art methods which Chinese poetics differ from the West "analysis". Poet targets at east coast strange vegetation birds and sea reef of Taiwan,through transplanting in physical image and time stretching, chasing back to millions of years ago when huge space movement was happening, sea going up,land decreasing, plate colliding and so on. Poet gives concerns from the universe to ordinary lives, particularly having deep feeling of aboriginal culture and life. Zhan Che’s poems are of full personality in Chinese poem development.