The Society of Creation and Marxist Aesthetics
- 人文学院－已发表论文 
中国现代文学界论述马克思主义美学在中国的传播、发展时 ,缺少一个自身演进的“量变”进程。其原因之一 ,是忽略了从渐进的、整体性的动态进程 ,来描述、考察创造社接纳、运用马克思主义美学的情况。 2 0世纪 2 0年代的日本与中国的历史语境 ,影响、引导创造社主要成员趋向于马克思主义美学。在掌握科学社会主义的基本观念之外 ,他们关于经济基础与意识形态的关系、文艺的本质与功用、创作主体的社会性、资本主义与艺术的关系、艺术发展不平衡性等问题的论述 ,均受启示于马克思主义美学In discussing the spread and development of Marxist aesthetics in China, the quantitative change process of its own evolution is often neglected. The reason lies in the failure of describing and studying the Society of Creation's efforts to accept and apply Marxist aesthetics from a dynamic view of a gradual and overall process. The historical context of Japan and China in the 1920s influenced the leading members of the Society and roused their interest in Marxist aesthetics. Apart from the basic ideas of scientific socialism, they also learned from Marxist aesthetics about the relationship between economic basis and ideology, the essence and role of literature and art, the relationship between capitalism and art, the imbalance of artistic development and social nature of creative body.