Visual Feast of the Orient Chivalry:The Chivalry World under Post-modernity View
- 人文学院－已发表论文 
本文运用泛后现代话语,重绘东方武侠影视,分析其在当下语境,受众面广的历史必然性和现实合理性。本文首先分析金庸武侠影视剧,满足观众消遣娱乐、消费英雄主义、和介入现实的需要,从而确证其与现代性的关联。然后从其对人性异化的关注,对生存困境的反映,对现代性负面质素的批判,指认其与审美现代性的内在联系。最后通过考察江湖权力话语的运作,描述“正义性”消解的后现代症候,在更深层次地论述其文化史意义。This paper is the re-description and the re-location of the orient chivalry teleplay by the discourse of Postmodernism, and analyzes its population in recent context and the legitimacy of post-modernity. The first part introduces its function of entertainment, heroism consumption, and political participation for the mass. The second part points out its inner connection of aesthetic modernity with the description of the focus on alienation, the reflection of existence, the crisis of modernity. The third part describes the discontinuity of justice, the symptom of post-modernity, with the review of the mechanism of discourse power, for the sake of the revelation of the meaning of cultural history.