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dc.contributor.author张羽
dc.date.accessioned2013-02-08T00:10:44Z
dc.date.available2013-02-08T00:10:44Z
dc.date.issued2005
dc.identifier.citation台湾研究集刊,2005(3):82-90zh_CN
dc.identifier.issn1002-1590
dc.identifier.urihttps://dspace.xmu.edu.cn/handle/2288/14771
dc.description.abstract[中文摘要]本文一方面通过对翁闹和郁达夫的文学创作个案比较研究,揭示出二者与日本文化的密切联系,探讨在日本特定场景下,中国知识分子的创作情态及其作品中呈现出的“日本形象”;另一方面力求揭示翁闹作为弱势族群和被殖民地作家无所皈依的创作心理,由此而产生的颓废意识和情绪书写,翁闹的文学创作典型地代表了20世纪30年代台湾文学的另类叙事。[英文摘要] On one hand, through individual comparison and research ,this paper want to reveal the close contact of Weng and Yu’s cultural works to Japanese culture and discuss the “Japanese image”presented in Chinese works under the scene of Japan.On the other hand,it also try to disclose Weng’s creative mind as a colonial writter ,and point out that Weng’literal works typically represented the other-narrative of Taiwan literature in 1930s.zh_CN
dc.language.isozhzh_CN
dc.publisher厦门大学台湾研究院zh_CN
dc.subject翁闹zh_CN
dc.subject郁达夫zh_CN
dc.subject私小说zh_CN
dc.subject日本形象zh_CN
dc.subjectWeng Naozh_CN
dc.subjectYu Dafuzh_CN
dc.subjectprivate novelzh_CN
dc.subjectJapanese imagezh_CN
dc.title试论日据时期台湾文坛的“幻影之人”翁闹——与郁达夫比较zh_CN
dc.title.alternativeA Discourse upon “The Illusional Man” Weng Nao in Taiwanese Literary World when Taiwan was Occupied by Japan—— Both to Japanese narrtive of Weng Nao and Yu Dafuzh_CN
dc.typeArticlezh_CN


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