TEAHOUSE in Taiwan——An acceptive esthetic analysis of Taiwaneseaudience’s objective acception towards Teahouse
- 台研院－已发表论文 
[中文摘要]2004年7月,北京人艺于1999年第三次复排的新版《茶馆》登上了台湾的戏剧舞台,为两岸表演艺术界再创盛事。老舍及其作品在台湾一直备受关注,作为老舍后期创作中最为成功的,也是当代中国话剧舞台上最优秀的经典剧目之一的《茶馆》,引起了台湾文化界的强烈共鸣和深层接受,观众被吸纳在“笑”、“讽刺”和“诙谐”的戏剧情境之中,其本身的艺术语言和舞台美学创设出新的读者剧场。[英文摘要] On July of 2004, the new version of Teahouse which was rehearsed the third time in 1999 by the Peking People’s Modern Drama Troupe ascended the Taiwan drama satge, which created a prosperous culture matter in the cross-straits art feild. Lao-She and his works have always been highly anticipated by Taiwanese readers.As the most successful work of later period Lao-She,and one of the best classic program of contemporary Chinese modern drama, excited a strong sympathetic chord and be deeply accepted in Taiwanese. The audience was attracted by the the “laugh”,the ”jocular” and the “irony”.In addition,the language of art and the esthetics of the stage created a new theater of readers.