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dc.contributor.author黄鸣奋
dc.date.accessioned2016-05-17T03:42:03Z
dc.date.available2016-05-17T03:42:03Z
dc.date.issued2013-03-25
dc.identifier.citation文艺理论研究,2013,33(187):167-174
dc.identifier.issn0257-0254
dc.identifier.otherWYLL201302019
dc.identifier.urihttps://dspace.xmu.edu.cn/handle/2288/117223
dc.description.abstract我国古代文论中的“天机“来源于道家灵感观,重在自然存在的时机、机遇、变化中的条件,强调艺事以随机应变为要旨;西方数码艺术理论中的“随机性“来源于数学概率论,重在人工制造的或然性,被用作开拓思路的契机。它们都不属于纯粹偶然性范畴,而是体现了人们透过偶然把握必然的努力。
dc.description.abstractIn classical Chinese literary theories, " Tianji"( Heaven's scheme) as a categorical concept has its root in Taoist concept of inspiration,focusing on the conditions of timing,opportunities and changes in natural existence,and it emphasizes on the artists' reaction in response to the changing circumstances.The concept of " randomness" as applied in the Western theories of digital art,comes from the mathematical theory on probability,which focuses on the contingency of artifact and takes it as the very opportunity of exploring ideas.Neither the heaven's scheme nor randomness falls within the conceptual category of pure probability,but they reflect the human efforts to grasp the inevitable through the accidental.
dc.language.isozh_CN
dc.subject天机
dc.subject随机性
dc.subject古典文论
dc.subject数码艺术
dc.subject"Tianji"(Heaven's scheme) randomness classical literary theories digital art
dc.title比较文论视野中的天机与随机性
dc.title.alternative“Heaven's Scheme”and Randomness from the Perspective of Comparative Literary Theories
dc.typeArticle


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