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dc.contributor.author曹小娟
dc.date.accessioned2016-05-17T03:37:46Z
dc.date.available2016-05-17T03:37:46Z
dc.date.issued2010
dc.identifier.citation山西大学学报(哲学社会科学版),2010,(1):47-51
dc.identifier.issn1000-5935
dc.identifier.otherSXDD201001007
dc.identifier.urihttps://dspace.xmu.edu.cn/handle/2288/115955
dc.description.abstract“五四“时期,中国小说叙述视角发生了全面变革,第一人称限制视角与第三人称限制视角在小说中的出现打破了中国传统小说全知全能的叙述模式,引发了小说叙述视角的变革,促进了中国现代小说的成型与发展。文章以1921-1931年的《小说月报》及其他小说作品为例,对此作了较为全面和深入的回顾与探讨。
dc.description.abstractIn the "May 4th" period,the comprehensive changes took place in the narrative perspective of Chinese novels.The emergence of the first-person limited perspective and third-person limited perspective in the novel broke the omniscient narrative mode of traditional Chinese fiction,triggered the change in the novel narrative perspective and contributed to the shaping and development of modern Chinese fiction.Taking Short Story Monthly and other novels from 1921 to 1931 for example,the paper makes a comprehensive and in-depth review and discussion about this phenomenon.
dc.language.isozh_CN
dc.subject“五四”小说
dc.subject叙述视角
dc.subject《小说月报》
dc.subjectthe "May 4th" novel
dc.subjectnarrative perspective
dc.subject"Short Story Monthly"
dc.title“五四”小说叙述视角的变革——以1921-1931年的《小说月报》及其他小说作品为例
dc.title.alternativeThe Changes of the "May 4th" Novel Narrative Perspective——In the Case of "Short Story Monthly" and Other Novels from 1921 to 1931
dc.typeArticle


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